Events

Better business through photography

I've started a project that hopefully will generate some income. I am photographing small business CEOs so that they can have a decent headshot (at least) for their web profiles and promotions. I remember as an owner of a business several years ago I never had any decent pictures of myself. Come to think of it I still don't! I used the same headshot in every submission. With the web being so visual, having some good images of yourself, your facility, and your business is very important. I have started to photograph the owners of businesses trying to get an environmental portrait that would indicate what they do. It's a tough assignment. I am hoping to build a great portfolio of images that will show the business leaders of Jacksonville. I'm working hard to improve my location shooting skills, and the ability to come up with a creative shot. It's not easy (at least for me) but I am having a lot of fun meeting people who typically are not in front of a camera very often. It's different shooting professional models and an entrepreneur/CEO. You can guess which one is more challenging.

   

Pro-bono: Our local Science Fair

   

For the past three years we have been providing photography for our regional science fair. This involves individual project photos taken during the day of judging (about 280), and taking the award presentation photos during the ceremony the following evening. This is a big fund raiser for the fair, and usually nets around $1400. Usually the fair lasts 3 days, with setup on Sunday afternoon, judging on Monday, and awards ceremony on Tuesday night. During the judging, Dorian and I visit each student to take their project photo. This year I used my small 12x18 softbox on a lightstand. Overall I liked the softer light rather than on-camera flash with the Gary Fong diffuser. Problem is the aisles were very tight and things were crowded. I also had some problem with the white balance and I should have gelled the flash and set to fluorescent. The mixed lighting made the backgrounds look a pukey mustard color. The most complex task is coordinating the image with the student. We printed individual address labels with project numbers, student names, and project names, and as we took a photo, we recorded a sequence number on each label. You cannot take all the students sequentially as some of them are being judged and you have to come back. After we insured ourselves that we got everyone, I did the post processing, color adjustments, and cropping to 5x7. Then I added the text for the event name. These files I uploaded to Costco for processing. Expect to spend a few hours doing this.

When you get your prints back then you have to affix the right label to the back of the photo. If you can get the sequence right, it is a matter of finding the next label in your sequence and placing it on the next photo in the stack. When all is complete your are ready to sell. We set up right in front of the entrance to the awards ceremony. We price the 5x7 print at $10, which nets about $9 to the fair. Most parents are good about their donations, and we manage to get most of the people that come to the ceremony to buy their child's photo. While the sales are going on I am taking photos of all the awards being presented. There are Special awards presented by individual groups and then Place awards (1st, 2nd, 3rd, etc.). And then group shots of the State and International teams. There are usually around 200 individual shots. I process these and upload to Printroom.com so that parents can purchase these online. We make about $5 from each print or download through Printroom. 

My children were very active in the Science Fair, and so was I. I don't think most people realize what a big asset the Science Fair is to our future engineers and scientists. It is the only way they have to be recognized and the only venue they can come together to interact with each other and other adults in the scientific community. While a majority of America spends countless hours at the ballfields, this small group of incredibly bright kids are building their interests and skills in academic pursuit. I think that is an honorable direction, something that we all should encourage and support, especially in light of our current economic situation and our inability to produce anything of value to the world. Engineering, manufacturing, science, medicine? No, we are obsessed with professional sports, Hollywood, and American Idol. Most American cities have a regional science fair. Intel is the biggest sponsor of the International Science and Engineering Fair, the "Olympics" of science fair competition. Most people have never heard of it.  If you are interested, try to find your local fair and volunteer some time. You will be inspired by the children and feel hopeful that someone is taking care of our future.

TraPac

 

The TraPac container facility is located at the north-west end of the Dames Point bridge. I first saw this from the bridge as I was returning home from a shoot at Big Talbot. It is one of those times where something seems to appear from nowhere. The project was completed in about 18 months and is quite impressive. I was contacted by Powell Design Group to photograph the 14 buildings and canopies that make up the facility. Each building had it's own character, largely dictated by the specialized functions contained within. Overall there was a design aesthetic that was consistent and in harmony with the neighboring wetlands. A security guard stopped to see what we were doing and remarked that he really appreciated the design of the buildings. I took over 600 images over two days, and was fortunate that the weather was cool and the skies blue. I even got some clouds on day 2. We stayed one evening to catch the sunset.

This project was very comprehensive and I am preparing the formal licensing and project deliverables to the client. I am also going to utilize PhotoShelter to provide a lightbox and ability for others to gain access and purchase rights to the images. This is a significant step in doing business as a photographer...you must not only get the work, produce it, bill it, and manage the rights. My education continues. 

TraPac gallery.

FotoFusion 2009

Dorian and I attended FotoFusion at the Palm Beach Photographic Center for the first time. This first rate gathering of photographers, editors, and teachers has been going on for years in my backyard, in fact it is a 20 minute drive from my brother's house.  Look at the program which includes many top rate speakers. The conference exceeded my expectations in all respects, although I was told the attendance was about half of normal due to the economy. I attended workshops on portrait lighting, portfolio development, travel photography, Lightroom, and legal issues. The panel discussions were very thorough, with panelists from major publications (Time, NY Times, Washington Post, etc.). I also had 7 portfolio reviews which was very helpful in validating my direction and flushing out my strongest images. Mark this on your calendars for next year...I'll be there. A few images from my shoot with Fran Reisner on "Teen Portraits in Natural Light" (yeah, Fran set up the lighting, that's why these look so good):

  

Holidays are for updating blogs

Ok I haven't updated this blog since August 20, not that anyone really cares but I was on a roll for a while. Lots going on in 4 months including my "retirement" from the day job in September, moving from Montréal back to Jacksonville, and various trips. The holidays are great with family and lots of printing for gifts. copy-of-threelotusleaves

lifeimages_w09On Chrismas Eve I received through the mail a copy of Life Images (Winter 09) published by Stampington. To my surprise it contained my submission "Three Lotus Leaves" on page 8. Check it out if you go to Barnes & Noble or Borders. What a nice present for Christmas.

So over the next few days you may see some older entries being filled in from the past...our trip to Ithaca NY, my last days in Quebec, our fall drive from Montréal through Ontario and the Michigan UP and WV to Jacksonville, another trip to NYC, and my trip to Los Osos CA. All great times and lots of beautiful scenery.

Merry Christmas and Happy New Year!

12 Days in California: Days 5-9

Five days with Joe McNally can change your life. Joe is one of those charismatic people who can radiate his passion for photography, and the fact that he is willing to teach all willing subjects his craft is, well, quite a privilege for me. If you have never heard Joe speak, get yourself to one of his presentations or seminars right away. He is entertaining, inspiring, and his self-deprecating humor shows what a genuine down-to-earth person he really is. Joe is the "real thing." Day one of the workshop Joe presents his work and a bit of his own philosophy. In fact each morning we got a small dose of Joe's inner workings. You walk away in complete disbelief that this guy is in the same room with you teaching you how to set your white balance, the same guy who worked with celebrities, presidents, who has been everywhere and shot everything.

  

I attended this workshop to demystify lighting. If you are going to learn, learn from the best. Did I achieve my goal?  Was I ready for this? Probably not. But the experience was worth it. The class was large (16 people) and we divided into teams of 4 to shoot, each team had one model and we rotated shooting locations (2 locations per day). This was good and bad. I'm not so big on these "team" things not that I'm not a team player but at this point in my life I don't want to put up with people who are difficult (especially when I'm paying). Overall it worked out ok but certainly more hands on, more shooting, more iterations, would have helped me out. Did I master lighting? Far from that. Did I learn enough to keep going? Yes, now I at least know the basics and can keep working on it.

Lighting is definitely one of those "learn by doing" skills. Joe was a big supporter of "add enough light to taste" and like a master chef, he knew what to add and how to add it. I need formulas and stuff. Heck, I don't know enough about what looks good in a glamour shot to even know what to do to make it better. Duh. So maybe I needed a more basic class to build up my confidence and nail some basic setups. There still seemed to be too much trial and error for me...to many options, too many ways to do the same things. That's what makes it an art.

So here are some results for the week. Never worked so hard to get so few so-so images. That's when you know you are breaking new ground.

   

Gallery of all images for the week.

Do something nice with your photography

We just finished a shoot with a good friend whose daughter has autism. Some families have it tough and sometimes a few good photos can help out in a difficult situation. The daughter was leaving for school and being separated for the first time. When you can help out your friends or those in need it brings back many rewards to you. We get tied up in the economics of every decision, and with all this talk of recession and crashes, it's easy to retreat into your safe harbor. Do take your gift and share it with others in need. You will be glad you did.

FCTM Fashion Show

My daughter Diana Eng never ceases to amaze. She just presented a keynote and fashion show at the annual FCTM (FL Council Teachers of Mathematics) conference in Jacksonville held Oct 16-18 at the Hyatt. Diana's presentation "A Mathematical Fashion Show" covered the use of mathematics in fashion design, followed by a runway show of her recent designs. Diana Middleton of the Florida Times Union produced a great article for the paper.

Diana is a very focused and determined individual willing to do whatever it takes to fulfill her vision. I take a lot of inspiration from that. Is learning from your children a return on investment? I'm enjoying it.

The final roadtrip home: Montréal to Jax - Part 2

Musining MI is a nice small town. In the October cold rain, the streets were quiet. I could see this place hustling during the heat of the summer, but now it was bordering on total desertion with just a few locals tending to their business. One thing about cold, rainy, off season days...the parks should be empty! We planned on two days at Pictured Rocks National Lakeshore, day 1 exploring the west side and day 2 driving over to the east. One of the main roads through the park was closed, so we needed to make a big loop to get to the other end.

   

The first day was a bit ridiculous. Winds at 30-40 mph on the lakefront blowing cold rain. I've shot in the drizzle before but this was insane. There were periods of reprieve. In fact seriously, I find changing weather conditions more productive than bright cloudless days. Day 2 the rain let up but the wind did not rest. At Sable Falls we had a chance meeting with Nancy Rotenberg...what a nice surprise. Go figure, what are the chances? Nancy's work is very influential in my development and I experienced one of her great workshops at the Adirondack Photo Institute.

 

Michigan UP and Pictured Rocks gallery.

From Musining, we took H13 south to Lake Michigan, then east on H2 towards Mackinaw City and hook up with M119 (the famous Tunnel of Trees) between Petosky and Harbor Springs. Our goal was to reach Flint MI by dark. The rain seemed to follow us as we stayed slightly ahead of it. Along H13 we took a small side road which turned into an ATV trail. Some really nice foliage but I was wondering what we would do if an oncoming vehicle approached us...there was no room to turn around. After about a mile of getting totally lost we were deep in the Hiawatha Forest and  decided to backtrack and eventually found our way out.

  

From here H13 runs into Lake Michigan. Going west on 2 to Manistique we stopped at the lighthouse, and then onwards to the Mackinac Bridge. There is a nice visitor's center at the base of the bridge on the south end, so we stopped for some photos. Then onwards to find M119. It's a bit of a haul to get to on backroads but worth it. Everything was still green and lush, the trees literally formed a tunnel. Traffic was somewhat heavy and we did not stop. The road is primarily residential and developed. We got to Flint well after sundown. From Flint it was on to Columbus OH.

Makinac Bridge gallery.

Final days in Montréal

My official "day job" retirement date has been set to Sept 1, so I will be saying goodbye to all my friends in this wonderful city, and regretful for all the pictures I never got around to taking. Montréal is an optimum location for photography and I don't think I took advantage of it. I'm hoping that it will take a few months to sell my condo so I will have a chance to get final shots in. So the big lesson for me is to always be in "visitor" mode when you are on location, and get the shots you want because who knows what will happen and when you will return. I will always be thankful for the opportunity for living here and the images I was able to make. With all of this in mind my boss took me to the Laval Centre de la Nature which is right around the corner from our office. Actually we got lost getting there so we missed the sunrise, but this is a bit of an oasis in the middle of a city. We had a lot of fun testing out his new Nikon D300 and being late for work.

The next day I did my farewell visit to the Jardin Botanique de Montréal, one of my favorite places of all time. I will really miss being able to escape to this incredible place. My goal was to document as many of the plants and flowers as I could, but I was never able to dedicate myself to working through this.

Then I took some interior shots of my condo for the realtor. Finally got some use out of my TS 24mm lens.

 

  

Lightroom 2.0 upgrade

Today I upgraded my Lightroom to 2.0 and re-confirmed my commitment to the software with my wallet. I promised myself to work through my internal resistance to change workflow, and now I am narrowing my excuses. Adobe is doing a great job of hyping the new release, and I am always a sucker for a good sales pitch (bought a few Magic Bullets a while back). I've started going down the Lightroom path at least 3 times, and now I am going again. There are several big mental obstacles to overcome and it means just setting one's mind to the task and doing it. Old habits are hard to break and this old dog needs to learn some new tricks. The first big rock to overcome is convincing yourself that your existing tools and ways just cannot accommodate what you want to do. Here is my situation:

I have been shooting digitally since 2004 and have amassed around 280 GB of photos, mostly RAW, numbering in the neighborhood of 28,000 images. These are all organized on several external HDDs, my 1 TB drive has everything as a master archive, a 250 GB has 2007/2008 and is my "working" drive, and an additional 160 GB drive has 2006-2004.

I am tired of looking for images based on memory of when and where they were taken. As I venture into selling stock, I need to be able to not only find images but keywording is essential. If I take the time to title, caption, and keyword an image I only want to do this one time for all eternity, and I need a place where this can be done efficiently and in an organized way. I'm not going to re-enter the same title for my pBase site, Zenfolio site, PhotoShelter, etc.

Although Canon DPP has served me well, it is time to move on. The editing tools in LR are far superior, and the integration with Photoshop is designed to help your workflow.  I'm looking forward to the upgrade.

Life Images Acceptence

This email just in, I'll keep you posted on what issue the photos appear in. Hooray!

----- Original Message -----
Sent: Friday, July 11, 2008 5:52 PM
Subject: Life Images Submission

Hi Doug, I¹m happy to tell you that your submissions "Three Lotus Leaves" and "Autumn Start" have been chosen to appear in Life Images. I will need you to send me the high-resolution file by July 18.   Please be aware we cannot, at this point in time, guarantee your photo¹s appearance in print; space limitations and production demands sometimes result in photos being delayed to later issues or canceled altogether (if the high res files are determined to be insufficient quality for print). We are seeking one-time-only publication rights, and you will retain full ownership of your photos; a copyright in your name will be printed along with the image. In exchange for letting us print your photos, we will send you a free copy of the magazine when it appears, and a 50% discount on any additional copies you may with to purchase.   Congratulations,   Staci Dumoski Managing Editor

Boston July 4th holiday

We had planned to be in Boston for July 4th to be with Donald and Sophie. Diana came in from New York. We flew in from Jacksonville and got a hotel room in Burlington which was about 15 miles north of the city, and it was a haul to get out there. Luckily with the holiday traffic was “mild,” but roads in Boston are a mess, much worse than Montréal (if that is possible) with no logic to the streets. I guess they were all laid out by randomly walking around because nothing is straight, and there are few street signs. Even the GPS was confused. But the potholes and road conditions were the worst I have seen, it looked like a war zone. We stayed at a Summerfield Suites in a big two bedroom suite with full kitchen for $199 a night, which was quite decent for Boston for the holiday weekend. Our itinerary for the holiday: USS Constitution, Boston Pops pre-concert, New England Aquarium, July 4th Fireworks, the Burlington Mall, Costco (college kids go here for food shopping), and the movie WALL-E.

Getting around in Boston is not that easy. Traffic is a mess and parking is expensive. A full day in Cambridge is $22 and downtown it is about $30. Since Donald lives on the MIT campus, we decided it would be easier to park in Cambridge near Kimball Square (behind Legal Seafood) and take the T downtown. Plus due to the holiday concerts and fireworks, several of the roads were closed, which added more confusion to an otherwise impossible situation.

USS Constitution This was always one of my favorite tall ships and I was so excited to be coming here for the first time. When we arrived the lines were decent. There is a security checkpoint and full airport style inspection before entering the ship. I immediately noticed the small crane at the front and the ship looked almost naked. It is in mid-process of restoration with most of the masts disassembled, a missing bowsprit, and a rear deck reconstruction going on. So most of the rigging was down and the tops of the masts and yardarms were all taken down. I was bummed out about that. We took the tour and went down to the decks below, more restoration going on all over the ship. I’m sure it will look marvelous when they are finished.

  

Boston Pops Hatch Shell Concert This is the classic pre-concert on July 3 before the big one on the 4th. We arrived 4 hours early to get a seat and the place was already packed. The area we entered was secured and there was a full inspection of bags before entering. We picked our spot and waited. At around 6:45 an announcer came on and told us there was a front approaching and that we had better seek shelter in the nearby tunnel. We decided to wait it out and huddle under the umbrellas. At around 7:15 the rain and wind came and we stayed tight. We also took advantage of the fact that a lot of people ran for cover so we conveniently moved our spot closer to the stage and we were just in front of one of the camera stations. The rain finally ended at around 7:30 and we settled in for the concert which was to begin at 10:00. It was a long wait.

We heard the Boston Pops play a selection of Leonard Bernstein tunes. Then after a brief intermission, Rascal Flatts played with the Pops until the grand finale. Its funny Donald’s friends never heard of Leonard Bernstein, I never heard of Rascal Flatts. But we all recognized the music. Now unbeknown to us we were positioned right in front of the confetti machine. At the end of the concert with the Stars and Stripes in the background, the machine started up and the paper was flying.

 

New England Aquarium Ok if you really want a challenging day of photography go to the New England Aquarium to shoot the jellyfish, then follow up with some night shooting of the July 4th fireworks in Boston Harbor. Both locations perfect for some outstanding and challenging photography.

Walking into the aquarium it was dark, very dark. I forgot about that. The tanks are lit but you are still shooting at ISO 1250 – 1600 and f4 or wide open at 2.8. I had my 100mm macro, 70-200, and 24-70. The next challenge is you realize these things are moving around...fast. No fish is going to stop and pose for you! Plus, since we were there on July 4th, the place was packed with kids and parents chasing their kids. So we did the best that we could.

The aquarium shots of the fish were a disaster. Everything blurry, you cannot stop action at 1/40 sec. I did better with the anemones, but again with available light your are not going to get any DOF or freeze any action. There was a large area with penguins and they were being fed. These guys are comical, but there is always something sad about animals in captivity.

Jellyfish are one of my favorite subjects. The Atlantic Sea Nettle tank was backlit with a fluorescent blue with some spot lighting. These large animals were floating and moving around, it was mesmerizing just to watch. The tank is quite large so it was easy to get into position for a front, top, and bottom view. I was using my macro and enjoying the view through the lens. I was trying to get a good single portrait, a detail, and then a composition with two or more animals. The last proved the most challenging.

 

Fireworks We made our way to the Harvard Bridge which is where Mass Ave crosses into the MIT campus. We arrived at 6:00 PM (fireworks at 10:00 PM) but people were already lining up. We were lucky to find a good spot on the bridge right up against the rail. I set up the tripod and started shooting some skyline pictures as the sun started to go down. As people started to pack in, a lady just rolled out her mat right under my tripod and sat down. People seem to be very aggressive in Boston…we experienced a lot of this at the Pops concert, people very territorial and rude in claiming their viewing “spot.” It was clear that this lady was not going to move, and I asked her to not kick the leg on my tripod. The river was full of boats of all kinds…it was a fun scene.

At around 8:00 the concert began, it was essentially the same concert as the one we attended yesterday. There were speakers set up on the bridge to broadcast the music. At the end of the 1812 Overture (halfway through) there was a fireworks teaser. The real show did not start until around 10:00.

I noticed that the wind had completely died which is not a good thing for fireworks, as the smoke tends to linger over the launch zone, covering the subsequent explosions. This proved to be the case…the show started shortly after 10:00 and the first few fireworks were clean and the smoke started to build. I started at ISO 100, f8 on bulb for a 2-4 sec exposure. Progressively the images started to look blown out in the LCD so I went to f9, 10, and 11. I ended up still being at least 2 stops overexposed. In the excitement I was not checking the histogram, which is certainly what one should ALWAYS do because you never can trust the LCD.

The fireworks were breathtaking and with the music and people it was a very emotional experience. Part of me just wanted to watch and not fuss with the camera. There were all kinds of special effects that I had never seen before. Out of about 60 exposures I rescued a few. Good thing I was shooting RAW so I could at least get 2 stops of exposure adjustment, but the smoke really obscured the view. At the end of the show there was a mass of humanity leaving…they say over 500,000 crowd the banks to watch, I believe that. Everyone was hungry so we decided to go to IHOP which was a drive. By the time we got back to the hotel with was 2 AM…what a day!

Link to Boston gallery

Photo shoot in NYC

As all of you know my daughter is writing a book on fashion and technology, and we did a photo shoot on 12 of her projects for the book. I invited my good friend and fellow photographer André Walker, to lead the shoot, while I provided the documentary and candid shots. I was also serving as André’s assistant, which proved to be a fun experience. We were able to use the EOS Utility to tether the ID Mk2 to my laptop to give instant feedback on each shot, so that Diana could ensure that she got what she wanted. This proved to be a very efficient way to work, and provided the instant feedback for adjustments and assurance that we got the shot. I set up 2 Speedlights to grab my candids in between shots. As you can see I captured some good artistic collaboration. With the music going and everyone in the flow, we were having a creative play day. The female model was extremely professional and it’s amazing the difference she made in the ease of the overall shooting…no direction required. It became apparent to me that my next educational emphasis is on lighting, on location and studio. It is very clear to me that lighting makes the shot. With the setup we had (3 strobes w/1 on a softbox and 2 on umbrellas), we were able to provide consistent quality light throughout. But I was satisfied with the Speedlights too, as they performed very well and were easy to move around. We will certainly pursue more effective use of these little guys too.

  

I surrender...Lightroom is in

You can say I’ve gone to great lengths to avoid using Lightroom and Photoshop in my work. Possible reasons:1. Learning to use software in a royal pain 2. I am hooked on DPP for 95% of the work I need to do 3. I’ve been producing primarily for the Web, when I make prints I’m definitely in PS 4. I’ve never had to keyword or title my stuff

As I get more serious into management of my “assets” (funny, I never considered my snaps as assets before because I never felt they were of much use to anyone) I know I need to get into some professional tools. Honestly if they added the following two features to DPP, I would be a happy camper and would continue to use it for most of my workflow: 1. Add/modify EXIF data and keywords 2. Free Transform the image (for straightening and perspective correction)

DPP is FAST and it writes all non-destructive changes within the CR2 file itself, no sidecars, no major databases to sync and haul around. My other choice is to convert everything to DNG and have the same idea, but this means I am into Bridge or Lightroom and still leaves the chore of archiving the original CR2s (which I probably should be doing anyway).

From what I can see if I am going to get into stock I need to keyword, and the best way to do and manage that seems to be Lightroom. I’m sure I will get over my cold feet with this program, but honestly I have tried to get going with this on three separate occasions and each time I gave up because it just seemed too hard. The concept of the “database” holding everything is different. I should know better as this is the basic architecture of any version control or content management system used in my work. I think in Adobe’s attempt to hide this complexity from the end users, it leaves most of what is going on with the file a complete mystery, which disturbs me. Yes it’s time for an old dog (Doug) to learn some new tricks. Adobe spent millions of $$s on this program and spoke to hundreds of pros, so it’s not like the program was developed by some guy in a closet. Who is to say I cannot adopt to a new workflow designed to make me more productive? You cannot resist the Force!

So I am going to start Importing my Tuscany images into Lightroom, and expect that ALL of my edits, cloning, crops, and color corrections with DPP will be lost. I’m crying now…I’ll keep you updated on the progress.

PC and 5D together in perfect USB harmony

I've always wanted to control my camera from my computer and decided it was time to see if I could get this to work. I knew that Canon had some utility to do this, but didn't have an idea where to start. Looking at my Start menu under Canon Utilities I saw an item called EOS Capture 1.5...hmm, looks promising. Upon expanding that item it had two choices, Readme or Uninstall. That stinks. So I went to the Canon website and navigated to the download section for my 5D. There was an Updater for a program called EOS Utility 2.4 (not very descriptive) so I tried to download this. I received an error message that since I didn't have the previous version, I could not install it. That stinks. So how does one get an old version? I am up here in Montréal and do not have all my regular CDs and stuff but luckily I had an older EOS Solution CD. It had software for ZoomBrowser, DPP, EOS Capture, PhotoStitch, PhotoRecord, etc. but no EOS Utility. So I decided to try to install the EOS Capture again since the version on my machine was impotent.

I loaded the CD and went through the install for EOS Capture and it told me the software was already installed so it didn't do anything. That stinks. So I exited the install and uninstalled EOS Capture, went back and loaded the CD and tried to install it again. So it managed to install some files, I rebooted my computer (no small task as it take 5 minutes to go through everything). Went back to the Start menu to EOS Capture and crap, same two items: Readme and Uninstall. That stinks. Obviously I was doing something wrong. I read in the Software Guide (I was getting desperate) that the camera needed to be attached and switched to Communication: PC Connect. Aah...was this my problem? Didn't make much sense to me so I repeated my steps and ended up with the same result. At this point I was ready to call it quits.

I uninstalled EOS Capture again, went back to the Install CD and decided to install ZoomBrowserEX 5.5, what the heck, this was the only utility I didn't have and I figured someone may be assuming I need this to get the EOS Capture to work. This was a big program. After rebooting my computer (third time) I went looking for EOS Capture and no luck. So in desperation I fired off ZoomBrowser and saw that it had an Acquire and Camera Settings "task" so I started clicking in there, finding a Remote Capture feature. I was able to change the camera settings and click the shutter all from this little dialog box. How cool is that? But wait, where were the images going. I set the location of the captured files to a folder but nothing was coming in. Nothing was being written to the memory card. That stinks.

I went back to the download page and decided to get the updated version of ZoomBrowser. The version I had was 5.5, and the new one was 6.0.1c. So I did the download, went through the install and fired up the new version. Under the Acquire & Camera Settings, I selected Connect to Camera and received this new message:

 

WTF!! Ok, I was getting quite upset with this whole ordeal. Out of complete desperation I went to grab the EOS Utility again. Under the description for the file it confirmed that this was the program I should be using for remote capture. I downloaded the install, fired it off and it got safely through, no message telling me a previous version was not installed. I rebooted one more time, and kept my fingers crossed (not really...I knew this would work!). After clicking on the shortcut I was able to see again the Remote dialog box, and able to set the images to go directly to DPP (Canon's RAW file utility). So I was able from the laptop to change aperture, ISO, click the shutter, and see the image appear in DPP for immediate review. How COOL is that? Redemption at last.

BTW, EOS Capture never did intall correctly. Which goes to show how utterly sick, cruel, sadistic, and idiotic all of this is on us poor techno-phobes, who only want to get something simple to work.

 PC and 5D, together at last!

Submission for Life Images Magazine

I’m entering a couple of photos for the Life Images magazine from Somerset. This is a nice photo journal style publication with inspiring photos and text, with image capture information. Submission dates are September 15th, December 15th, March 15th, and June 15th, the link is: http://www.stampington.com/html/wanna_get_published.html#lifeimages It was my wife Dorian who first brought me a copy of this magazine. She is a “Stamper” among many other things crafty and Somerset is the main publishing house for these types of magazines. So I will be very thrilled if I could make my way into this publication.

I made 4 submissions, each a photograph(s) and then some accompanying text. It was fun writing the text, but I tend to get corny about things and hope that this doesn’t show too much. It’s revealing to write about a photo, just as it is revealing to keep a journal (or a blog). All sorts of things reveal themselves when you start to write. Those thoughts and connected emotions just start to sneak out. Usually when I have an image I like, I post it and work on it in Photoshop, maybe I’ll print it and that’s it. But to write about it…that adds another dimension to the meaning of an image, at least what it means to you. It’s a great exercise and I plan on doing more “photo journaling.”

Here are the submissions (some you have seen before) and the accompanying text. Please, no smirks.

Silent Performance

Silent Performance Cooper River Bridge, Charleston SC

As I approached the top of the bridge I could feel the power of the structure as it supported its own weight above the water which flowed below and the traffic which flowed across. The beauty of each essential element working in harmony reminded me of a musical instrument, tuned to deliver a precise function. The sounds of the traffic, the wind, and the water below were rhythmic, while the bridge stood silent in its performance. 

 

Three Lotus Leaves Jardin Bontanique de Montréal, Montréal QC

Graphic, Simple, Revealing. Life should be as such.

   

 

Still Lifes from the Past Wing Lee Yuen Truck Farm, Jacksonville FL

As long as I can remember we visited the family farm once a month. It was a long drive across town, down a dirt road, to four brick houses situated in the middle of nowhere, a bit of civilization in what seemed to be fields that went on forever. Now those days are long past, the houses recently abandoned, and the last of the land up for sale to make way for warehouses.

As a drove up to the farm on a hot August morning the fog was covering the roads and fields. My Uncle Chan was leaving for an early errand and I was left on the property, completely alone, with my camera and a lifetime of memories. I had not returned here since my father died 14 years ago but nothing had changed.

As I walked around the big barn I began to see and notice what I had never realized in all my times here. The smells, the sounds, and the nostalgic feelings were all there, but the details of hundreds of still lifes unfolded around me. Each square foot of the barn was filled with actions frozen in time. A hammer left on a tiller, gloves on a spool of wire, a chain hanging from the rafters used to pull an engine, ropes and wires hanging on nails, the scale which weighed out countless boxes of Chinese produce which at one time were shipped out as far as Michigan and New York. All of these scenes were frozen in time, the dust settled over them, but the life in their arrangements only temporarily arrested.

I knew that it was my time to record these moments with my camera, for in a matter of weeks all of this would be gone, destroyed, and never to appear again. As an animal or plant goes into extinction, so too do these articles of a past time and life. My record would be the only one for the future should anyone want to know what it was like in the barn of the Wing Lee Yuen Truck Farm.

 

Autumn Start

Autumn Start Parc National du Mont-Saint-Bruno, Montréal QC

The beginnings of autumn are often missed as we normally reserve time only for the peak show of color. It is the transition between seasons that often brings us interesting observations and contrasts. The subtle hint of things to come reminds us of our own changing nature and the brilliance that can unfold from within.

Diana's book pics

My daughter Diana is writing two books on fashion and technology. I have been doing some shots for some of the projects. It would be great if I could be in NYC with her, it's hard to do these things remotely. Diana is working hard and I can't imagine having her schedule, with a full time job, and writing two books (I mean these are real books, one of them is 336 pages). My life is easy compared to hers. Product photography is a whole other field which I can claim no experience. We were just using the natural light in the dining room.

 

I'm on the NANPA Homepage

 

From: NANPA
Sent: Sunday, May 04, 2008 2:27 AM
Subject: NANPA Website Showcase Photo

Dear Douglas Eng,

FYI, your photo entitled "Reverse Freeze" has been selected as the Showcase image for the front page of the NANPA website at http://www.nanpa.org/ for Sunday, May 04, 2008.

In addition, your listing will start off the day's Members' Showcase Gallery at http://www.nanpa.org/showcase_gallery.php

Best Regards, NANPA Web Services

FAMOUS for a day!

Photographers for Freedom starts up again

We are off and running again with another squadron, VP-16. Follow the action on my PFF blog. Photography wise, this is an excellent exercise to practice several things: working with people (families and small children), scheduling a shoot (harder than you think), working fast (oh those wonderful kids), dealing with whatever light there happens to be, figuring out how to use that d*mn flash, dealing with the heat, learning about new areas of town. All in all, a rewarding and education experience that I highly recommend.